One of the most surprising artists for me, however, was ORLAN. After watching the short lectures in class summarizing her work, I still did not know exactly what this artist did for a living. Upon further investigation, I found that this artist is quite the controversial one. From standing outside the Grand Palais and portraying herself as Madonna, a slot machine, and a whore to embracing plastic surgeries as part of her carnal art pieces, ORLAN is the epitome of showcasing the human body as an art form. Though her art has garnered international attention and has quite profound meaning, it made me wonder where we might have to draw the line as to how much of the human body we can use to still deem it respectful. Her art, as seen in the image below of a plastic surgery she included in the successful surgeries collection, is raw. Instead of shying away from the controversy surrounding plastic surgery, she embraces it and showcases it. Overall, it was quite a different representation of art I was never exposed to before.
Images
1. http://juliacowell.blogspot.com/2015/11/george-gessert-iris-project-artist.html
2. http://revolutionbio.co/bioart/bioart-through-evolution-george-gessert/
3. https://artdesign.unsw.edu.au/whats-on/news/orlan-part-patient-unsw-galleries
Resources
1.“George Gessert: Genetics and Culture.” Audio Microscope: Joe Davis : Genetics and Culture,
geneticsandculture.com/genetics_culture/pages_genetics_culture/gc_w02/gc_w02_gessert.htm.
2.“Bioart through Evolution: George Gessert.” Revolution Bioengineering, revolutionbio.co/bioart/bioart-through-evolution-george-gessert/.
3.Science News. “Green Light: Toward an Art of Evolution by George Gessert.” Science News, 23 Sept. 2013, www.sciencenews.org/article/green-light-toward-art-evolution-george-gessert.
4.Leddy, Siobhan. “How ORLAN Turned Plastic Surgery into Feminist Art.” Artsy, Artsy, 7 Aug. 2017, www.artsy.net/article/artsy-editorial-70-body-modification-artist-orlan-reinventing.
5.“ORLAN AND THE TRANSGRESSIVE ACT.” ORLAN: IS IT ART?, Stanford University, web.stanford.edu/class/history34q/readings/Orlan/Orlan2.html.
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